publications on music   

books.

• Herbert Eimert and the Darmstadt School: The Consolidation of the Avant-Garde (Cambridge: Cambridge University Press, 2020)

book chapters.

• ‘Finnissy’s Three-Point Plans: Political Agendas and Musical Enunciations’, in Ian Pace and Nigel McBride (eds), Bright Futures, Dark Pasts: Michael Finnissy at 70 (London: Routledge, 2019)
• 'The Making of Musical Extremism: The Monsters and the Critics of Total Serialism, in J. A. Dane (ed), Begging the Question: Chauceriana, Book History, and Humanistic Inquiry (Mythodologies II) (Los Angeles: Marymount Institute Press, 2019)

articles.

• ‘Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen’, Perspectives of New Music (forthcoming, 2021)
• ‘An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music’, Twentieth-Century Music, 18.1 (2021), 71–93
• ‘Roadmap to Total Control: A Critical Chronology and Work List for Herman Van San’, Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 73 (2019), 173–200
• ‘»NEUE MUSIK ALTET EWIG« / New Music Aging Forever’, collaboration with Johannes Kreidler, Nuove Musiche. Forthcoming.
• ‘Cyberbored/Culture-Jammed: The Short-Circuit of Musical Progress’, Nuove Musiche. Forthcoming.
• ‘Not Everybody’s Goal’, Cacophony Magazine, 2017.

        http://www.cacophonymag.com/cacophonyhome2/2017/7/16/not-                                  everybodys-goal

• 'KULTURMESSIAH: Patrick Frank and the Roads to Freedom', Music and Literature, 2017. http://www.musicandliterature.org/features/2017/4/13/kulturmessiah-patrick-frank-and-the-roads-to-freedom
• ‘The Edifice and the Flies, or, The Continuing Adventures of the Worst Composers in the World’, Tempo, 71.281 (2017), 81–86

        DOI: https://doi.org/10.1017/S0040298217000420

• 'Here Comes Newer Despair: An Aesthetic Primer for the New Conceptualism of Johannes Kreidler’, Tempo, 70.278 (2016), 5–15 DOI: https://doi.org/10.1017/S0040298216000292

modern critical editions.

• Étude pour 15 instruments by Michel Fano. with commentary. 2018–2019.
• Diaphonie for orchestra by Karel Goeyvaerts. with commentary. Donemus 2017.

reviews.

• Björn Heile, Charles Wilson (eds.), The Routledge Research Companion to Modernism in Music, reviewed in transposition. musique et sciences sociales, 9 (2020)
• Pierre Boulez, Philippe Manoury, Le Marteau sans Maître / B-Partita, album reviewed in Tempo, 74.294 (2020), 91–93
• Bernhard Lang, ParZeFool, album reviewed in Tempo, 74.293 (2020), 101–102
• Hanna Hartman, Hurricane Season, hcmf//, reviewed in Tempo, 74.292 (2020), 87
• Karlheinz Stockhausen, aus Licht, Holland Festival, reviewed in Tempo, 74.291 (2020), 99–101

• Stefan Prins, Augmented, album reviewed in Tempo, 73.290 (2019), 81–83

• Zubin Kanga, “Silver Screens / Steel Strings”, concert reviewed in Tempo, 73.290 (2019), 75–76

• Marsyas Trio, In the Theatre of Air, album reviewed in Tempo, 73.289 (2019), 78–79

• Tomorrow’s Music in Practice Today: A Practical Guide Towards Deciphering Contemporary Music by Ine Vanoeveren, reviewed in Tempo, 73.289 (2019), 84–86
  

• Jörg Widmann, Polyphone Schatten, album reviewed in Tempo, 73.288 (2019), 94–96
  
• Darmstädter Ferienkurse 2018, reviewed in Tempo, 72.286 (2019)
, 96–101
• Berlin PianoPercussion, Crossing Currents, album reviewed in Tempo, 72.286 (2019), 112–113
• Ryoko Akama, places and pages, album reviewed in Tempo, 72.285 (2018), 93–94

• Mein Staat als Freund und Geliebter, opera by Johannes Kreidler, reviewed in Tempo, 72.285 (2018), 77–78
• Weekend EP Project, reviewed in Tempo, 72.285 (2018), 89–90                          
• Donaueschingen Musiktage 2017, reviewed in Tempo, 72.284 (2018), 70–74
• Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students by Scott Pfitzinger, reviewed in Tempo, 72.284 (2018), 93–95
• 'Wet Hot Kranischstein Summer: Darmstadt 2016 in Review’, Tempo, 71.279 (2017), 87–91