writing.

publications on music

book chapters.

‘Finnissy’s Three-Point Plans: Political Agendas and Musical Enunciations’, in Ian Pace and Nigel McBride (eds), Bright Futures, Dark Pasts: Michael Finnissy at 70 (London: Routledge [forthcoming])

'The Making of Musical Extremism: The Monsters and the Critics of Total Serialism, in J. A. Dane (ed), Begging the Question: Chauceriana, Book History, and Humanistic Inquiry (Mythodologies II) (Los Angeles: Marymount Institute Press, 2018)

 

articles.

‘Roadmap to Total Control: A Critical Chronology and Work List for Herman Van San’, Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Forthcoming, 2019.

‘»NEUE MUSIK ALTET EWIG« / New Music Aging Forever’, collaboration with Johannes Kreidler, Nuove Musiche. Forthcoming.

‘Cyberbored/Culture-Jammed: The Short-Circuit of Musical Progress’, Nuove Musiche. Forthcoming.

‘Not Everybody’s Goal’, Cacophony Magazine, 2017. http://www.cacophonymag.com/cacophonyhome2/2017/7/16/not-everybodys-goal

'KULTURMESSIAH: Patrick Frank and the Roads to Freedom'. Music and Literature, 2017. http://www.musicandliterature.org/features/2017/4/13/kulturmessiah-patrick-frank-and-the-roads-to-freedom

‘The Edifice and the Flies, or, The Continuing Adventures of the Worst Composers in the World’, Tempo.

DOI: https://doi.org/10.1017/S0040298217000420

Here Comes Newer Despair: An Aesthetic Primer for the New Conceptualism of Johannes Kreidler’, Tempo, 70.278 (2016), 5–15 DOI: https://doi.org/10.1017/S0040298216000292

 

modern critical editions.

Diaphonie pour orchestre by Karel Goeyvaerts. with commentary. Donemus 2017.

 

reviews.

Darmstädter Ferienkurse 2018, reviewed in Tempo, 72.286 (2019)


DOI: tbd

Berlin PianoPercussion, Crossing Currents, album reviewed in Tempo, 72.286 (2019)


DOI: tbd

Ryoko Akama, places and pages, album reviewed in Tempo, 72.285 (2018), 93–94.
DOI: https://doi.org/10.1017/S0040298218000505

Mein Staat als Freund und Geliebter, opera by Johannes Kreidler, reviewed in Tempo, 72.285 (2018), 77–78.


DOI: https://doi.org/10.1017/S0040298218000396

Weekend EP Project, reviewed in Tempo, 72.285 (2018), 89–90. 
DOI: https://doi.org/10.1017/S0040298218000475

Donaueschingen Musiktage 2017, reviewed in Tempo, 72.284 (2018), 70–74. 
DOI: https://doi.org/10.1017/S0040298217001292

Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students by Scott Pfitzinger, reviewed in Tempo, 72.284 (2018), 93–95.

DOI: https://doi.org/10.1017/S0040298217001401

Wet Hot Kranischstein Summer: Darmstadt 2016 in Review’, Tempo, 71.279 (2017), 87–91

DOI: https://doi.org/10.1017/S0040298216000735